So I decided to give The Golden Bowl
Still, these are very inward dramas. It sometimes feels like Henry James's books are all about people picking up on each other's vibes without actually saying or doing much. And he has big extended metaphors about how, for example, people or situations resemble a building. At one point a female character is dealing with a situation that is like a pagoda in a garden and she is walking around it looking for an entry, meanwhile seeing other characters looking out from within. This sort of thing goes on for paragraphs, and her attempts to penetrate the pagoda are a plot development, even though the whole thing is just a comparison in her mind, or perhaps only the narrator's mind. Another time, a male character is like a large neo-classical structure in the village green of another character's life. Fortunately, his siding is smooth, not pointy.
Really.
Still, I'm enjoying it and rooting for Maggie Verver, now married to the handsome and irresistible Italian Prince Amerigo.